All Light, Everywhere
All Light, Everywhere is an exploration of the shared histories of cameras, weapons, policing, and justice. As surveillance technologies become a fixture in everyday life, the film interrogates the complexity of an objective point of view, probing the biases inherent in both human perception and the lens.
Director Theo Anthony’s new film is an expansion of the subject explored in his short Subject to Review. Building on the questions about whether technology really contributes to the right perspective, Anthony has ambitiously conducted a multifaceted investigation into the subject. This private cinematic essay explores the development of surveillance cameras, prospects of a taser gun manufacturer, discussions of the black community regarding a local surveillance camera app, and even the history of astrophotography from the 19th century. Anthony explains the connection between weapons and photography, and ultimately brings the audience to what could be the starting point of a new film. In describing the link between the real world and the technologies that surround us, Anthony presents a tremendous amount of ideas and even the moral implications. Big Brother is always watching us, but who are the people behind Big Brother? (Sung MOON)
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(54999) JEONJU Cine Complex, 22, Jeonjugaeksa 3-gil, Wansan-gu, Jeonju-si, Jeollabuk-do, Republic of Korea T. +82 (0)63 231 3377