Walk In
J, a woman in her thirties, discovers mold growing on her spouse’s ashes. When she sprinkles the mold onto her food, it begins to move, searching for more food. J puts the moldy food in the bathtub and starts to create something.
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J looks like she’s lost all her hopes and dreams. She keeps staring blankly into space with bloodshot eyes. Did it all start with her husband’s death? Or does it stem further back to her father’s death? Regardless of when it all began, there’s no going back now. Mold always reveals itself after it consumes everything, and the overlapped images and multiplying mold start to blur the boundaries of the objects she sees. She frantically tries to find something within the mess but there’s no use. There’s nothing to grasp. (SHIN Dongmin)
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Korean Academy of Film Arts⎜kafa@kofic.or.kr
PARK Han-eol
