Review

This is one of Bill Mousoulis' earliest works (he was barely 20 years old), made and originally projected in Super-8, shot in his family home and starring his soulful sister, Mary. Its initial Australian screenings within the hip underground became legendarily scandalous: in place of the irony and ultra-sophistication of much independent art of the time, here was an innocence, freshness and seeming naïveté that was, in that context, transgressive – a public effect that Mousoulis' feature My Darling in Stirling (2023) is again creating today. Dreams Never End is the best kind of amateur cinema: hand-crafted, intimately personal, wistful, visionary. (Adrian MARTIN | Film Critic)

More +Less -