Korean Cinema

Colorful Lin

LEE Wonwoo
Korea 2024 80min DCP Color/B&W Documentary GWorld Premiere

Schedule

MEGABOX Jeonju Gaeksa 5

Date

2024. 05. 04

Time

17:00

Code

352
K
E
G
GV
CGV Jeonjugosa 6

Date

2024. 05. 07

Time

21:00

Code

649
K
E
G
GV
MEGABOX Jeonju Gaeksa 3

Date

2024. 05. 08

Time

10:00

Code

707
K
E
G

Overview

On the road of horses that erased horses, I remember the time of the horses. Use the horse's ears and mouth to feel it. Blurry but wide vision, distant and near passing conversations.

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Review

Colorful Lin is a film that discusses both literal and figurative discussions about horses. This intriguing story begins when director Lee Wonwoo encountered a horse named "Kkamsang" by chance at Seoul's Cheonggyecheon Stream in 2010. Her interest in horses then evolved through various catalysts, leading her to delve into diverse questions and contemplations within the film. The narrative unfolds, intertwining stories about human modes of transportation, the mobility rights, the ethics of horse labor, the relationship between movement and labor, and the discriminatory relationships historically formed between horses and human. Similar to the director's feature debut, Optigraph (2017), this film adopts a non-linear storytelling approach devoid of the classical narrative, however not aimlessly circling around themes but repeatedly expanding and focusing on specific themes. Two essential phrases encapsulate the core discourse of this film: "Can we coexist without exploiting, restricting, eliminating, or separating?” and "I hope that the weakness of the sensitive and kind can survive from generation to generation.” As a word play, Colorful Lin ultimately speaks (Mal-hada) about horses (Mal), yet it does not merely speak about horses. (MOON Seok)

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Credit

  • DirectorLEE Wonwoo
  • ProducerMUN Jeonghyun
  • ScreenplayLEE Wonwoo
  • CinematographyLEE Doona, HAN Songyi, CHOI Yeonok, KIM Ehwan
  • EditorHAN Songyi, LEE Wonwoo

Film Source

LEE Wonwoo⎜wwooya@gmail.com

Director

LEE Wonwoo

Born in Tübingen, Germany, in 1981. She has been making experimental films and documentaries in Seoul using the handmade filmmaking method since 2006.