J Special: Programmer of the Year

Paris, Texas

Wim WENDERS
West Germany, France 1984 148min DCP Color Fiction 18

Schedule

CGV Jeonjugosa 5

Date

2024. 05. 02

Time

16:00

Code

140
E
K
18
GV
CGV Jeonjugosa 5

Date

2024. 05. 06

Time

20:30

Code

563
E
K
18
CGV Jeonjugosa 5

Date

2024. 05. 09

Time

10:00

Code

804
E
K
18

Overview

Paris, Texas is considered Wenders’ best-known and internationally most successful film. Celebrated by critics, it won a series of important international awards, including the Palme d’Or at Cannes.

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Review

Wim Wenders once remarked that many of his films commence with a map rather than a script. Even without referencing the journeys described in Alice in the Cities (1974), Falsche Bewegung (Wrong Move) (1975), and Kings of the Road (1976), his films have consistently embodied the essence of the road movie genre. In Paris, Texas, Travis initially traverses endlessly, unsure of what he is looking for or where he is going. However, as he embarks on the search for his wife alongside his son, his existential and hollow wandering evolves into a journey with a defined purpose. Now, the journey will come to an end, with someone awaiting him at its conclusion. It is hard not to cherish the scene where Travis and his family all gather in the living room and watch the Super 8 home movie. In their intimate moments captured in the movie footage, they smile, gesture, twirl, dance, and embrace each other in front of the camera. This is one of the most emotionally evocative scenes throughout Wim Wenders’ entire filmography. (HUR Jinho)

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Credit

  • DirectorWim WENDERS
  • ProducerWim WENDERS, Chris SIEVERNICH
  • ScreenplaySam SHEPARD
  • CinematographyRobby MÜLLER
  • MusicRy COODER
  • EditorPeter PRZYGODDA
  • SoundJean-Paul MUGEL
  • CastHarry Dean STANTON, Nastassja KINSKI, Dean STOCKWELL, Aurore CLÉMENT, Hunter CARSON, Bernhard WICKI

Film Source

Salaud Morisset⎜lea@salaudmorisset.com

Director

Wim WENDERS

Born in 1945, Wim Wenders came to international prominence as one of the pioneers of World Cinema during the 1970s and is considered to be one of the most influential figures in contemporary German film.